Wednesday, June 5, 2019
Virginia Woolf | A Modernist Perspective
Virginia Woolf A Modernist PerspectiveVirginia Woolfs novels incorporate the quintessential elements of the modern companionship. I depart explore the literary expression of these characteristics in relation to three of Woolfs novels Mrs Dalloway, The Waves and To the Light House. Firstly, I lead analyse the modernist perspective in relation to form, narrative technique, structural high-octane, gender and so on I leave alone also investigate Woolfs materialization of time and how its constant reflections on the past incorporate a manifestation with the progression of actuality. I lead also deconstruct the thematic ideologies envisioned in Woolfs texts and relate them to the arrangement of contemporary being. This part of the dissertation ordain focus centrally on the good and modernist aspects of Woolfs writingsThe second part of the thesis provide conceptualize the sociological and political background of Woolfs narratives. I will unravel the historical constructions and implications of her compositions. I will explore the concrete reality and the space that occupies the fictional fabrications of her novels. I will analyse Woolfs encapsulation of the city as a medium that shapes and conceptualizes aesthetic experience. I will explore her representations of the urban landscape and social environment and relate them to the theoretical investigations promulgated by critical interpretations of the metropolis. I will also analyze Woolfs exhibition of the city as a transitionary space in which sociological models are deconstructed and materialized.3) StructureIntroduction Woolf as the quintessential modernist.This particular chapter will explore the public interpretations and influences of the modernist writer. It will offer an overview and introduction of Woolfs works. I will explore Woolfs idiosyncratic depictions of reality and how this complex process became the central preoccupations of the 19th century modernist writer. I will also deconstruct the radical innovations of the modernist experience and how these cultural, political, economical and historical productions destabilized the conventional constructs of actuality.Chapter 1 Past as a continuous presence, literary experiments with time the experience of linear temporality and contemporary being in Virginia Woolfs novels.In this chapter I will analyze the influential dynamic of the past and how its materialization can contrive contemporary moments of temporality. I will particularly examine Mrs Dalloway. I will investigate the modernist production and representations of psychological and impersonal time. This chapter will incorporate a mutation of critical theorist such as Henri Bergson and how his theoretical implications and materializations of time had consequential implications on the modernist aesthetic.Chapter 2 Experimental perspectives the exploration of modern representations of the unconscious in Virginia Woolfs The Waves.This chapter will incorporate an explo ration of the subjective experience presented in Woolfs narrative. I will investigate the exposition of Woolfs stream of consciousness technique and its consequential implications on the aspects and productions of the modernist experience.Chapter 3 Historical representations a panoramic view of class and social structure in Woolfs Mrs DallowayI will explore the social dynamic of Woolfs novels in this leash chapter. I hope to encapsulate an entire perspective and viewpoint of the social world of Woolfs narratives. I will explore the social relationships that are represented in the text in particular in Mrs Dalloway.Chapter 4 The City as an aesthetic experience metropolitan modernity in Woolfs novels.In this chapter I will incorporate an intense investigation on the depiction of the urban landscape displayed in Woolfs novels. I will uncover the aesthetic perspectives of the metropolis and consider its dynamic as a fluctuating and transformative space. I will also examine the differen t forms in which she presents the city as an aesthetic, irresolute and wavering experience.Chapter 5 A feminist critique understanding Woolfs perspective.This particular chapter will offer an exploration on Woolfs representations and constructions of gender relations. I will also investigate the depictions of gender stereotypes in relation to class division and structure.Working BibliographyAyers, David, Modernism A Short Introduction. Blackwell, 2004. Print.Black, N. Virginia Woolf as feminist. Cornell University Press, 2004Bradbury, Malcolm James McFarlane, eds. Modernism 1830-1930. Penguin, 1976. Print.Bridge, Gary Sophie Watson. The Blackwell City Reader. Blackwell, 2002. Print.Briggs, J. Reading Virginia Woolf. Edinburgh University Press, 2006. Print.Brooker, Peter. Geographies of Modernism. Routledge, 2005. Print.Coverley, Merlin, capital of the United Kingdom Writing. Pocket Essentials, 2005. Print.Cuddy-Keane, Melba, Virginia Woolf, the happy, and the earthly concern Sph ere. Cambridge UP,2003.Print.De Certeau. Michel, The Practice of Everyday Life. California UP, 1988. Print.DeBord, Guy, The Society of the Spectacle. Rebel Press, 1992. Print.Dettmar, Kevin. Rereading the new a backward glance at modernism. University ofMichigan Press, 1992. PrintEysteinsson, Astradur. The Concept of Modernism. Cornell UP, 1990. Print.Faulkner, Peter, Modernism. Routledge, 1990. Print.Froula, Christine, Virginia Woolf and the Bloomsbury Avant-Garde War, Civilization, modernness . 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The modern novel a short introduction. Wiley-Blackwell, 2004. Print.Nicholls, Peter, Modernisms A Literary Guide. Macmillan, 1995. Print.Olsen, Donald J., The City as a Work of Art .Yale UP, 1986. Print.Rainey, Lawrence, Modernism An Anthology . Blackwell, 2005.Print.Scott, Bonnie Kime.,ed. The sexual practice of Modernism A Critical Anthology . Indiana UP, 1990. Print.Squier, Susan Merrill, Virginia Woolf and London The Sexual Politics of the City. NorthCarolina UP, 1985. Print.Stevenson, R. Moder nist fiction an introduction. University Press of Kentucky, 1992. Print.Weston, Richard, Modernism. Phaidon, 1996.Print.Whitworth, Michael. H. Virginia Woolf. Oxford University Press, 2005. Print.Williams, Raymond, The Politics of Modernism. Verso, 1989. Print.Wilson, Jean Moorcroft, Virginia Woolf Life and London. Woolf, 1987. Print.Wolfreys, Julian, Writing London Materiality, Memory, Spectrality, Vol.2. Palgrave, 2004. Print.Woolf, Virginia. To the lighthouse. Oxford University Press, 2006. Print.Woolf, Virginia. Mrs Dalloway. PenguinWoolf, Virginia. The Waves. Collectors library, 2003.Zwerdling, Alex. Virginia Woolf and the Real World.University of California Press, 1987. Print.ArticlesAbbott H. P. Character and Modernism Reading Woolf Writing Woolf New Literary History, 24.2, Reconsiderations (Spring, 1993) 393-405Banfield, Ann. Time Passes Virginia Woolf, Post-Impressionism, and Cambridge Time Poetics Today, 24. 3, Theory and History of Narrative (2003) 471-516Brian Phillips honesty and Virginia Woolf Reality and Virginia Woolf The Hudson Review, 56.3 (2003) 415-430King, James. Review Wallowing in Woolf Molly HiteReviewed work(s) Virginia Woolf The Womens Review of Books,13.2 (1995) 5-6Paul Tolliver Brown Relativity, Quantum Physics, and Consciousness in Virginia Woolfs To the Lighthouse Journal of Modern LiteratureHYPERLINK http//muse.jhu.edu.eproxy.ucd.ie/journals/journal_of_modern_literature/toc/jml.32.3.html, 32.3. (2HYPERLINK http//muse.jhu.edu.eproxy.ucd.ie/journals/journal_of_modern_literature/toc/jml.32.3.html009)39-62Pawlowski, Merry M. Virginia Woolfs Veil The Feminist Intellectual and the Organizationof Public Space MFS Modern Fiction StudiesHYPERLINK http//muse.jhu.edu.eproxy.ucd.ie/journals/modern_fiction_studies/toc/mfs53.4.html, 53. 4. (HYPERLINK http//muse.jhu.edu.eproxy.ucd.ie/journals/modern_fiction_studies/toc/mfs53.4.html2007) 722-751.Seshagiri, Urmila. Orienting Virginia Woolf Race, Aesthetics, and Politics in To theLighthouse. MFS Modern Fiction StudiesHYPERLINK http//muse.jhu.edu.eproxy.ucd.ie/journals/modern_fiction_studies/toc/mfs50.1.html, 50.1. (HYPERLINK http//muse.jhu.edu.eproxy.ucd.ie/journals/modern_fiction_studies/toc/mfs50.1.html2004) 58-84Taylor, Chloe .Kristevan Themes in Virginia WoolfHYPERLINK http//www.jstor.org.eproxy.ucd.ie/stable/3831688?Search=yessearchText=woolfsearchText=virginialist=hidesearchUri=/action/doBasicSearch? interview=virginia+woolfacc=onwc=onprevSearch=item=3ttl=15185returnArticleService=showFullTextHYPERLINK http//www.jstor.org.eproxy.ucd.ie/stable/3831688?Search=yessearchText=woolfsearchText=virginialist=hidesearchUri=/action/doBasicSearch? question=virginia+woolfacc=onwc=onprevSearch=item=3ttl=15185returnArticleService=showFullTexts HYPERLINK http//www.jstor.org.eproxy.ucd.ie/stable/3831688?Search=yessearchText=woolfsearchText=virginialist=hidesearchUri=/action/doBasicSearch?Query=virginia+woolfacc=onwc=onprevSearch=item=3ttl=15185returnArticleService=showFullTextHYPERLIN K http//www.jstor.org.eproxy.ucd.ie/stable/3831688?Search=yessearchText=woolfsearchText=virginialist=hidesearchUri=/action/doBasicSearch?Query=virginia+woolfacc=onwc=onprevSearch=item=3ttl=15185returnArticleService=showFullTextThe WavesHYPERLINK http//www.jstor.org.eproxy.ucd.ie/stable/3831688?Search=yessearchText=woolfsearchText=virginialist=hidesearchUri=/action/doBasicSearch?Query=virginia+woolfacc=onwc=onprevSearch=item=3ttl=15185returnArticleService=showFullText . Journal of Modern Literature, 29.3 (2006) 57-77
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